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Innovative Methods to Understand Impact in Creative Practices: A Short Survey

March 2019

Report compiled by Dr Gretchen Coombs 

Summary

Creative practitioners are increasingly asked to demonstrate impact of their work, which has led to challenges to understand the complexity of artistic practice and its cultural value. How can we trace impact, and if there is impact, for whom — the creative practitioner, the community, the museum, all of the above? What is the benchmark for success — symbolic shift, demonstrable policy changes, increased funding, more industry partnerships? These questions need to respond to national assessment systems like the Australian Research Council (ARC) Engagement and Impact and the UK’s Research Evaluation Framework (REF). How can creative practices offer innovative methods as tools for tracking impact? 

Creative practices’ value has traditionally been the intrinsic and indeterminate yet in recent years has been measured by its instrumental, or economic value. In light of more socially-engaged practices and the turn towards community,” value takes on a more diffuse meaning. More often than not, the goal is social change, and this involves groups of community stakeholders who are consulted and become invested in the process and outcomes of the art project, and ultimately need to contribute to understanding its impact. Within this process, more and more non-art agencies and government departments — such as health and urban renewal (i.e., placemaking) — are seeking out socially-engaged projects. These shifts reinforce and broaden the scope of instrumentalisation in the arts based on its social use, and therefore compound the complexity of impact assessment because of the number of stakeholders who may or may not have differing definitions of success and impact.

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Gretchen Coombs
Post Doctoral Research Fellow
School: Design and Creative Practice

RMIT staff profile
gretchen.coombs@rmit.edu.au

Gretchen Coombs is a Post Doctoral Research Fellow in the Design & Creative Practice Enabling Capability Platform at RMIT. She researches socially engaged art practices in the US, the UK and Australia, with a particular focus on how they are practiced in urban contexts. She’s a core member of the Cultural Value and Impact Network (CVIN) and contributes to Creative Care in the School of Art. Gretchen has a PhD in social and cultural anthropology and a MA in visual criticism: her writing uses a combination of ethnographic methods and visual analysis. She is a co-author of Creative Practice Ethnographies (Rowan & Littlefield 2019) and her monograph, The Lure of the Social: Encounters with Contemporary Artists (Intellect 2021 ) is an experimental ethnography about contemporary artists working at the intersection of art, aesthetics, and politics.